reviews
 

 
 
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REVIEWS I'VE PUBLISHED

  • Daryl Gless, Measure for Measure: The Law and the Convent (Princeton: Princeton Univ. Press, 1979), in Christianity and Literature, 29 (1980), 122?14.
  • Sir George Buck, History of King Richard III, ed. A. N. Kincaid (London: Alan Sutton, 1979), in Modern Philology, 79 (1981), 200?203.
  • Frances A. Shirley, Swearing and Perjury in Shakespeare's Plays (London George Allen and Unwin, 1979), in Christianity and Literature, 30 (1981), 81?82.
  • Verlyn Flieger, Splintered Light: Logos and Language in Tolkien's World (Grand Rapids: Eerdmans, 1983), Reformed Journal, 34 (1984), 28?30.
  • Michael Edwards, Towards a Christian Poetics (Grand Rapids: Eerdmans, 1984), in Christianity and Literature 34 (1984), 76?78.
  • Leah S. Marcus, The Politics of Mirth, (Chicago: Univ. of Chicago Press, 1986), Modern Philology 86 (1989), 298-300.
  • Theresa Coletti, Naming the Rose: Eco, Medieval Signs, and Modern Theory (Ithaca: Cornell University Press, 1988), in Christianity and Literature 38 (1989), 80-83.
  • Linda McJ. Micheli, Henry VIII: An Annotated Bibliography (New York: Garland Publishing, 1988), in Shakespeare Quarterly, 40 (1989), 509-11.
  • Nancy Klein Maguire, Renaissance Tragicomedy (New York: AMS Press, 1987), Comparative Drama 23 (1989-90), 379-8.
  • Robert Edwards and Stephen Spector, ed. The Olde Daunce: Love, Friendship, Sex and Marriage in the Medieval World (Albany: State Univ. of New York Press, 1991), Christianity and Literature 40 (1991), 403-404.
  • Naseeb Shaheen. Biblical References in Shakespeare's History Plays (Newark: Univ. of Delaware Press, 1989), Shakespeare Quarterly 42 (1991), 487-89.
  • John Margeson, ed. Henry VIII, The New Cambridge Shakespeare (Cambridge: Cambridge Univ. Press, 1990), in Shakespeare Quarterly 43 (1992), 115-17.
  • Larry S. Champion. "The Noise of Threatening Drum": Dramatic Strategy and Political Ideology in Shakespeare and the English Chronicle Plays (Newark: Univ. of Delaware Press, 1990), Comparative Drama 26 (1992), 88-91.
  • Roma Gill, ed. Dr. Faustus in The Complete Works of Christopher Marlowe (Oxford: Clarendon Press, 1990), in Yearbook of English Studies 22 (1992), 283-84.
  • John S. Wilks, The Idea of Conscience in Renaissance Tragedy (London and New York: Routledge, 1990), in Modern Language Review (1992): 691-92.
  • Judd D. Hubert. Metatheater: The Example of Shakespeare (Lincoln: Univ. of Nebraska Press, 1991). Literature and Philosophy 16 (1992): 419-21.
  • Reni Girard, A Theater of Envy: William Shakespeare (New York: Oxford UP, 1991); Max Harris, Theater and Incarnation (New York: St. Martin's, 1990); Cynthia Marshall, Last Things and Last Plays: Shakespearean Eschatology (Carbondale: Southern Illinois UP, 1991), in Religion and Literature 24 (1992): 85-90.
  • Sandra Billington. Mock kings in Medieval Society and Renaissance Drama (Oxford: Clarendon Press, 1991). Comparative Drama 26 (1992): 193-96.
  • Richard Halpern. The Poetics of Primitive Accumulation: English Renaissance Culture and the Geneology of Capital (Ithaca: Cornell Univ. Press, 1991). Yearbook of English Studies 23 (1993): 336-37.
  • R. A. Foakes. Hamlet Versus Lear (Cambridge: Cambridge Univ. Press, 1993), in Comparative Drama 28 (1994): 265-68.
  • Roy Battenhouse. Shakespeare's Christian Dimension (Bloomington: Indiana Univ. Press, 1994). Christianity and Literature 44 (1994), 95-98.
  • Douglas Bruster. Drama and the Market in the Age of Shakespeare (Cambridge: Cambridge Univ. Press, 1993) in Yearbook of English Studies 25 (1995): 267-68.
  • J. R. Mulryne and Margaret Shewring, ed. Theatre and Government under the Early Stuarts (Cambridge: Cambridge Univ. Press, 1993) in Modern Language Review 90 (1995): 144-45.
  • William Kerrigan. Hamlet's Perfection (Baltimore: Johns Hopkins Univ. Press, 1994). Philosophy and Literature 19:2 (1995): 381-82.
  • Howard B. Norland. Drama in Early Tudor Britain 1485-1558. Lincoln, Nebraska: Univ. of Nebraska Press, 1995. American Notes and Queries 11 (1998), 55-57.
  • Russ MacDonald, The Bedford Companion to Shakespeare: An Introduction with Documents. Boston: Bedford Books of St. Martin's Press, 1996. Shakespeare Quarterly 48 (1997), 487-89.
  • John W. Velz, ed. Shakespeare's English Histories: A Quest for Form and Genre. Binghamton: Medieval and Renaissance Texts and Studies, 1996. Shakespeare Quarterly 50 (1999), 102-105.
  • Margreta de Grazia et al., eds. Subject and Object in Renaissance Culture. Cambridge: Cambridge University Press, 1996. Medieval and Renaissance Drama in England 12 (1999), 318-23.
  • Raymond D. Tumbleson, Catholicism in the English Protestant Imagination: Nationalism, Religion, and Literature 1600-1745. Cambridge: Cambridge University Press, 1998. Christianity and Literature 49 (2000), 255-58.
  • Harold Fisch, The Biblical Presence in Shakespeare, Milton and Blake. Oxford: Clarendon, 1999. Philosophy and Literature 24 (2000), 236-39.
  • David Scott Kastan, ed., A Companion to Shakespeare. Oxford: Blackwell, 1999. Medievalia et Humanistica 27 (2000), 127-28.
  • Peter Happi, ed., Allegory in the Theatre. Tudor Theatre. Table ronde VII. Vol. 5. Bern: Peter Lang, 2000. Early Drama, Art, and Music Review 23 (2001), 136-38.
  • Holderness, Graham, Shakespeare: The Histories. New York: St. Martin's, 2000. Shakespeare Quarterly 52 (2001), 502-05.
  • Stephen Greenblatt, Hamlet in Purgatory. Princeton: Princeton University Press, 2001. Christianity and Literature (forthcoming).


 
 

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